This was tricky to light! I used two strip boxes either side of Hannah for rim-lighting and a large Octobox high camera left for fill. This made her hair disappear into the background so I added a gridded reflector shooting from behind over the top of the background.
I ended up happy with the light and shadows and Hannah's pose is excellent!
Canon EOS-1Ds Mark III, f/11 @ 50 mm, 1/125, ISO 100
Had a great shoot with the ballerina Hannah this evening. Will be sharing a number of shots over the coming days - thought I'd start with this silhuoette.
I lit this very simply - two flashguns with reflectors on the rear wall. I then darkened Hannah to black and used the magic extractor in PSE to cutout her silhuoette.
To give the shot some depth and context I blended some of the floor back in.
Canon EOS-1Ds Mark III, f/13 @ 50 mm, 1/125, ISO 100
I was attempting a softer fancy look here. I blended a fractal converted layer with the reversed colour IR layer and then used a cross-processing filter in LR.
Canon EOS 450D, f/4 @ 10 mm, 1/200, ISO 400, Flash
This shot was on the 450D IR conversion using the Canon 24mm f/1.4. I adjusted the colours taking most of the red out and then tone-mapped the single image in Photomatix.
Despite not showing it in the EXIF I had the 580EXII firing into a silver brolley off camera to the right.
I decided a surreal shot like this needed a surreal name!
This shot was taken on the 8-15mm fisheye zoom which was attached to Bob's IR modified 450D. I took three AEB (Auto exposure bracketed) shots and combined them in Photomatix. I bled the colour out of Geoff and added some clarity to him for extra 'pop'.
Finally I used a hue adjustment in Lightroom to give a little more blue to the image.